White Squall Film Review
White Squall Film Review
There is something about an excellent performance that can even elevate above the film itself. Films like Madonna’s W.E; Lars Von Trier’s Antichrist; Richard Attenborough’s Gandhi; Tony Richardson’s Blue Sky. All have defects as movies go but do feature a central performance that is worthy of accolades. In the case of lead actor Jeff Bridges in Ridley Scott’s White Squall, this case is no exception. The story itself (based on a true story) takes place in 1961.
A group of impressionable young boys all apply for a school sailing trip on the SS Albatross. Under the command of Jeff Bridges’ ship captain Dr Sheldon or ‘Skipper’ as he is referred to by his crew. He is fiercely harsh and strict but does bond with them over time as they do to him. The young lads' project on their voyage, their own personal issues and insecurities that initially stem from their home life on land. One lad, in particular, comes from an upper-class family. Whose parents don’t want him to follow his own example and instead has him secretly under their watchful eye wherever they sail to.
A group of impressionable young boys all apply for a school sailing trip on the SS Albatross. Under the command of Jeff Bridges’ ship captain Dr Sheldon or ‘Skipper’ as he is referred to by his crew. He is fiercely harsh and strict but does bond with them over time as they do to him. The young lads' project on their voyage, their own personal issues and insecurities that initially stem from their home life on land. One lad, in particular, comes from an upper-class family. Whose parents don’t want him to follow his own example and instead has him secretly under their watchful eye wherever they sail to.
One lad has to deal with the loss of his brother. To top it off also has an incredible fear of heights. One scene especially has Skipper ordering him to climb at the top of the mast to get over his fear. These scenes that are clearly there to set up character development and introduce the audience to identify them through the use of tropes. The rebellious James Dean type lad who acts tough but opens up about his illiteracy. The lad with the troubled past and must prove his worth. The lad who is bound to a wealthy and dominating family but wants to break away from them. The lad who acts as the sympathetic ear to the rest of them; all of which is basically tick boxing. I said before that the lead performance can top everything else about production and with Jeff Bridges, it’s true.
His performance as skipper is confident, charming, fierce, charismatic and dominates the scenes that he is in. I just love watching him on screen, and it’s easy to see why his entire crew would back him all the way. His performance is the film’s most active element. When the inevitable tragedy occurs later in the movie involving ‘The White Squall’, a tidal wave of incredible size. Inevitably hits the crew, they all fight to survive within a boat that threatens to capsize. This sequence itself is incredibly well done and is very tense. The survivors make it land, and the film ends with a court scene that puts Skipper on trial. At this point, the film becomes more melodramatic and contrived as the scene plays out. Trying to balance subtlety and contrivance all at the same time while telling the story and so it comes out a mixed bag.
The film overall struggles to find a consistent tone to tell this tragic story and really the events themselves probably deserved a more subtle approach, but Jeff Bridges and even the young cast give it they're all. Worth seeing it just for their performances and the sequence with the White Squall which is tense and well-done but really not a complete success.
3/5
Comments
Post a Comment